Sunday, October 21, 2012

Adventures in Logophilia Day 40: harpy (jillian)

Today's word is...

harpy

A harpy (noun) is a predatory monster from Greek mythology, which has a woman's head and a vulture's body.  A contemporary harpy would be a predatory person or a leech, and also a shrewish woman.  Not your average insult, eh?  More effective, too.

Saturday, October 20, 2012

Adventures in Logophilia Day 39: fey (jillian)

Continuing with our Halloween theme, today's creepy word is...

Fey (an adjective) simply means "fated to die", and something that is fey is foreboding of death or major calamity.  It can also mean crazy - something marked by a strange, otherworldly air.   Other uses of the word are "excessively refined", "dainty or precious" or "quaintly unconventional."  Fey, as a harbinger of death, was probably the earliest use - pointing to fairies who were the scapegoats for sudden, unexplainable death and everyday inconveniences (oh, no!  The milk went sour!) in early centuries.  In my first lesson on the Middle Ages - Catherine Called Birdy - a character dies in her sleep and she is considered "elf shot" because there isn't a mark of trauma on the body.  Elf shot.  Stroke.  Same thing, right?  I don't think we will ever stop being shaken to the core by death, no matter what the explanation.

Friday, October 19, 2012

Adventures in Logophilia Day 38: chimera (jillian)

Today's word is...

chimera

From steampunkwines.com.

A chimera (noun and sometimes capitalized) is a fire-breathing she-monster from Greek mythology with a lion's head, a goat's body and a serpent's tail.  Chimera has come to describe any imaginary hybrid monster.  Chimera is also one of my favorite metaphors describing a illusion, vision or an unfathomable, soul-shaking nightmare.  In biology and genetics, the term refers to an individual made of unmatching genetic material; in theory what might happen if an embryo sometime in the early stages of division absorbs another "sibling" embryo. One also thinks of chimeras in regards to conjoined human twins or a cat born with two heads - phenomena stranger than fiction.  If that's not an image for Halloween, I don't know what is.

Thursday, October 18, 2012

Adventures in Logophilia Day 37: Lycanthropia (jillian)

Today's word is...

lycanthropia

Lycanthropia (an archaic noun) refers to "a variety of melancholy in which the person believes himself to be changed into a wolf." (From Jeffrey Kacirk's Forgotten English) Therefore a lycanthrope is a werewolf - not someone who likes lichens.  That would be "lichenthrope."  According to Oxford Dictionaries lycanthrope is a 17th century term.  So... not medieval but a decidedly early modern paranoia.  It makes me wonder how the werewolf myth began in the first place.

As it is so close to Halloween, I should have put this word into spooky calligraphy, but alas, I ran out of time this morning. 

Wednesday, October 17, 2012

Whimsy on Wednesday (Jillian)

A little literary news reel for you:

  • On the Telegraph, British author Hilary Mantel has won the Man Booker Prize for her novel Bring Up the Bodies, a sequel to Wolf Hall, which follows Thomas Cromwell at the court of Henry VIII.  Bring Up the Bodies details the Anne Boleyn scandal and her unhappy end.  Ms. Mantel is one of two authors to have won the Man Booker Prize twice and the only woman to do so.  This is a great testament to the power of fiction written well... and historical fiction at that.  Hers is the only Tudor-esque novel out of the hundreds that exist that I want very badly to read. 
  • Ian McEwan, also a Booker Prize winner, has said recently that the novella is the perfect literary form.  He might be right but that's quite a difficult thing to accomplish.
  • NPR has a lovely article on the 60th anniversary of E.B. White's Charlotte's Web.
  • National Novel Writing Month is coming up in November.  Writer Unboxed has several posts on preparing for the project.  I am considering participating in it this year, if only to maintain my sanity during this time of the Sisyphean synopsis.  I think it would be a good way to churn out a first draft of a novel, intense though it may be. 
  • Publishers Marketplace had an article on Ann Patchett interviewing JK Rowling.  One tidbit I found interesting: "I find that discussing an idea out loud is often the way to kill it stone dead.  They all sound rubbish," she said. I find this to be particularly true.  My ideas for stories or little nuances in my novel must be kept inside - let out too soon, even in private dialogue with oneself, and the idea evaporates or turns to dust. 

Adventures in Logophilia Day 36: St. Luke's Summer (Jillian)

Today's word/phrase is...

Saint Luke's summer

According to Oxford Dictionaries, Saint Luke's summer (a British term) is a period of fine weather around the 18th of October, which is Saint Luke's feast day.  I honestly don't remember how I came across this phrase, but it fascinates me... an older version of what we'd call "Indian summer."  Especially in England and Europe where the days of the year were marked by saints' days and sundry feasts, this makes particular sense.  It puts a new spin on the word lukewarm, as well. 

It makes for an interesting metaphor - a little pocket of summer come to rest inside another season.  For the last several days we've had a glorious St. Luke's summer: the leaves are golden, red, orange and purple, beautiful autumn, and yet temperatures climbed into the 80s.  It was summer.  I tend to enjoy these bizarre weather-fronts: the odd January days that reach the 60s or 70s and melt a month's worth of snow; the chilly, blustery fronts in July when we suddenly wonder where the oven of summer has gone.  They're rogue summers and winters - visiting out of season but welcome guests nonetheless.  I don't think it's as significant as climate change, but weather-change and weather-mood. 

There is another version of Saint Luke's summer which is Saint Martin's summer, basically nice, warm weather around the 11th of November, the feast day of St. Martin of Tours. 

Tuesday, October 16, 2012

The Sisyphean Synopsis (Jillian)

I mentioned Sisyphus this morning right?  He was the man with the impossible task of rolling a boulder up a hill only to have it go rolling down again - eternal punishment for something he did to the chagrin of the gods. 

Since I've completed my novel and intend to send it to agents - the starting point for any novelist hoping to publish - there have been the inevitable tasks to complete, ends to sew up tightly, advice to be read and heeded.  It was quite a strange transition to make from one day being immersed in a world of words to the next when I was on my own again, orbiting that world instead of walking it.  The tasks are writing the dreaded query letter and writing a synopsis.  Ick.  Double ick.

The query letter is a basic, basic, basic letter no more than one page long.  It is the piece of writing one emails/mails to an agent, selling one's book in a matter of two (sometimes three) well-crafted paragraphs... in other words, just a handful of sentences to grab his/her attention.  The first paragraph involves the hook sentence much like that on a book jacket that encapsulates the novel's story, essence and selling-potential in one go.  The next paragraph is a slightly bigger expansion or synopsis of that hook paragraph.  The third is a discussion of one's credentials.  Etcetera.

Somehow I wrote it, rewrote it, embellished, pared down, expanded, pared down, cut, cut, cut, until the thing was the epitome of professional succinctness and naunce.  It is not easy, I tell you, to "say more with less" but it can be done.  After all, writing 125,000 words is a lot easier than 500 or 300: greater margin for error, for one thing. I think if one comes out of the process with a satisfactory query letter one doesn't mind showing to friends and complete strangers, one has grown as a writer.

The synopsis is my present onus.  This is a 1-2 page summary of the book, written dryly with all the facts about the story more or less revealed in sequence.  I didn't realize I needed one until I began to look at submission requirements to particular agencies and did a little subsequent research.  Luckily, Chuck Sambuchino of Writer Unboxed posted some advice on this very thing months ago, of which I found helpful.  One of the things I learned is that a synopsis is very important in genre fiction (sci-fi, fantasy, mystery, bla, bla) so that agents can easily follow whether or not one's novel has Acts I, III and III in the right places and in the right proportions.  It makes perfect sense, and yet it seems hopelessly Sisyphean.

Of course, my novel is science fiction, and I realized there is no way around this thing.  "One to two pages?" I asked aloud.  No one heard but the cat, who thinks I'm a nut anyway. "Double spaced?  How can I implode an entire 125,000 word novel into two pages?" The camel through the needle's eye... sort of...

When my panic wore off, I had to remind myself that I thought the exact same thing for the query.  Then, the reaction had been, "An entire novel in one paragraph?  Can't do it!" Obviously, I could and did, but it took me a while.  I'm in the process of reminding myself that the synopsis is really just a bit bigger than the query itself, another expansion of the details presented in those little paragraphs.  But slogging through it in the meantime is utter torture.

Advice to self (and others):

1.) Work on the synopsis a little every day, just like the query letter, then put it away and work on something else.  The first versions will stink, but first drafts of anything usually do.  If you don't have a first draft, how else can you write a better second draft and a good third draft?

2.) Patience.  When I'm on roll - having just finished a project or otherwise blindsided with enthusiasm and overconfidence - I often get the delusion that I can send out the query letter or the entire submission inside of a week if I just work hard enough on it.  This is unrealistic thinking.  Better to take time on something like a query or a synopsis than to send something off that it is rough around the edges.  Remember that you don't have a deadline yet.  That will come later.  Above all: no self-deprecations!

3.) Simplify, simplify, simplify, as Mr. Thoreau said.

4.) In the hours spent away from the query or synopsis, write something from the heart - get back into a routine.  Otherwise, you may feel drained and blocked for no reason.  Writing a query letter or a synopsis does not preclude you from going ahead with new stories.  This is for your sanity.

5.) Read lots of advice on formatting, etc.  Don't ignore it.

6.) Remember that you are doing this for your novel, your brainchild.  It is worth the torture.  And it might not nearly be as bad it seemed at the end.

All right.  Back to the boulder up the hill...

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