Adventures in Logophilia Day 41: will-o'-the-wisp (j)

Today's word with a sort-of-All-Hallows tilt is...

will-o'-the-wisp

Will-o'-the-wisp (noun) is a phosphorescent light that appears in the night over marshes and is thought to be due to the combustion of gas from decomposed organic matter.  In other words, a ghostly light in a swamp.  Another name for it is ignis fatuus.  More metaphorically speaking, will-o'-the-wisp can refer to a goal or a person difficult to reach or catch.  According to Oxford Dictionaries, this is a 17th century word originally known as "will with the wisp", the wisp being a lighted torch.  This always puts to mind Tolkein's Dead Marshes from The Two Towers, as Frodo and Sam follow Gollum through the ghostly lights passed dead things in the water.  Freakiest passage ever.  Freakiest movie scene as well.

Adventures in Logophilia Day 40: harpy (jillian)

Today's word is...

harpy

A harpy (noun) is a predatory monster from Greek mythology, which has a woman's head and a vulture's body.  A contemporary harpy would be a predatory person or a leech, and also a shrewish woman.  Not your average insult, eh?  More effective, too.

Adventures in Logophilia Day 39: fey (jillian)

Continuing with our Halloween theme, today's creepy word is...

Fey (an adjective) simply means "fated to die", and something that is fey is foreboding of death or major calamity.  It can also mean crazy - something marked by a strange, otherworldly air.   Other uses of the word are "excessively refined", "dainty or precious" or "quaintly unconventional."  Fey, as a harbinger of death, was probably the earliest use - pointing to fairies who were the scapegoats for sudden, unexplainable death and everyday inconveniences (oh, no!  The milk went sour!) in early centuries.  In my first lesson on the Middle Ages - Catherine Called Birdy - a character dies in her sleep and she is considered "elf shot" because there isn't a mark of trauma on the body.  Elf shot.  Stroke.  Same thing, right?  I don't think we will ever stop being shaken to the core by death, no matter what the explanation.

Adventures in Logophilia Day 38: chimera (jillian)

Today's word is...

chimera

From steampunkwines.com.

A chimera (noun and sometimes capitalized) is a fire-breathing she-monster from Greek mythology with a lion's head, a goat's body and a serpent's tail.  Chimera has come to describe any imaginary hybrid monster.  Chimera is also one of my favorite metaphors describing a illusion, vision or an unfathomable, soul-shaking nightmare.  In biology and genetics, the term refers to an individual made of unmatching genetic material; in theory what might happen if an embryo sometime in the early stages of division absorbs another "sibling" embryo. One also thinks of chimeras in regards to conjoined human twins or a cat born with two heads - phenomena stranger than fiction.  If that's not an image for Halloween, I don't know what is.

Adventures in Logophilia Day 37: Lycanthropia (jillian)

Today's word is...

lycanthropia

Lycanthropia (an archaic noun) refers to "a variety of melancholy in which the person believes himself to be changed into a wolf." (From Jeffrey Kacirk's Forgotten English) Therefore a lycanthrope is a werewolf - not someone who likes lichens.  That would be "lichenthrope."  According to Oxford Dictionaries lycanthrope is a 17th century term.  So... not medieval but a decidedly early modern paranoia.  It makes me wonder how the werewolf myth began in the first place.

As it is so close to Halloween, I should have put this word into spooky calligraphy, but alas, I ran out of time this morning. 

Whimsy on Wednesday (Jillian)

A little literary news reel for you:

• On the Telegraph, British author Hilary Mantel has won the Man Booker Prize for her novel Bring Up the Bodies, a sequel to Wolf Hall, which follows Thomas Cromwell at the court of Henry VIII.  Bring Up the Bodies details the Anne Boleyn scandal and her unhappy end.  Ms. Mantel is one of two authors to have won the Man Booker Prize twice and the only woman to do so.  This is a great testament to the power of fiction written well... and historical fiction at that.  Hers is the only Tudor-esque novel out of the hundreds that exist that I want very badly to read. 
• Ian McEwan, also a Booker Prize winner, has said recently that the novella is the perfect literary form.  He might be right but that's quite a difficult thing to accomplish.
• NPR has a lovely article on the 60th anniversary of E.B. White's Charlotte's Web.
• National Novel Writing Month is coming up in November.  Writer Unboxed has several posts on preparing for the project.  I am considering participating in it this year, if only to maintain my sanity during this time of the Sisyphean synopsis.  I think it would be a good way to churn out a first draft of a novel, intense though it may be. 
• Publishers Marketplace had an article on Ann Patchett interviewing JK Rowling.  One tidbit I found interesting: "I find that discussing an idea out loud is often the way to kill it stone dead.  They all sound rubbish," she said. I find this to be particularly true.  My ideas for stories or little nuances in my novel must be kept inside - let out too soon, even in private dialogue with oneself, and the idea evaporates or turns to dust. 

Adventures in Logophilia Day 36: St. Luke's Summer (Jillian)

Today's word/phrase is...

Saint Luke's summer

According to Oxford Dictionaries, Saint Luke's summer (a British term) is a period of fine weather around the 18th of October, which is Saint Luke's feast day.  I honestly don't remember how I came across this phrase, but it fascinates me... an older version of what we'd call "Indian summer."  Especially in England and Europe where the days of the year were marked by saints' days and sundry feasts, this makes particular sense.  It puts a new spin on the word lukewarm, as well. 

It makes for an interesting metaphor - a little pocket of summer come to rest inside another season.  For the last several days we've had a glorious St. Luke's summer: the leaves are golden, red, orange and purple, beautiful autumn, and yet temperatures climbed into the 80s.  It was summer.  I tend to enjoy these bizarre weather-fronts: the odd January days that reach the 60s or 70s and melt a month's worth of snow; the chilly, blustery fronts in July when we suddenly wonder where the oven of summer has gone.  They're rogue summers and winters - visiting out of season but welcome guests nonetheless.  I don't think it's as significant as climate change, but weather-change and weather-mood. 

There is another version of Saint Luke's summer which is Saint Martin's summer, basically nice, warm weather around the 11th of November, the feast day of St. Martin of Tours.